PROFIL

I am MUSIC teacher AND part time guitarist, MUSICIAN. I am having general interests in music and visual art. .Great love from me...thanks.

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WORKS

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My debut as Composer with the title"Racun kehidupan" The Modern works in musical pattern using the electical instruments and embelishments by the music tecno which was composed by Molplug tracker sofware. 2009
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MUSIC ESSENTIAL

For musicians, tecnique refer to the mental and physical command of music. Instrumental prowess may or may not be a musician's objective. There are great composers who don't perform and virtuoso intrumentalists and singers who don't compose. Regardless of your chosen niches or goal, aquiring the ability to ma nipulate music- mentally and/or physically required honing and balancing two totally different sets of chops. Music was not mere entertainment, but a moral force"a higher revelation than all wisdom and philosophy". The Music directly reflect our powerfull, tortured personality. All music is born of the same three basic elements: rhythm, melodi and harmony. All melodies and harmonies derived from only twelve different notes, but with ingredients this minimal, how can we categorize music into such diverse genre as classical, jazz, blues, rock, metal, fusion, R &B, country and hip hop? Rhythm is the bonding agen that allow musical pitches to be...
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ALTERED TONES

In music, an altered chord, an example of alteration, is a chord with one or more diatonic notes replaced by, or altered to, a neighboring pitch in the chromatic scale. Jazz In jazz and jazz harmony, the term altered chord refers to a dominant chord "in which neither the fifth nor the ninth appears unaltered" and which thus "contains b5 &/or #5, and b9 &/or #9".[2] – in other words, where the 5th and the 9th are raised or lowered by a single semi-tone, or omitted. This chord is notated as an "alt chord" (e.g. G7alt Play (help•info)). Altered chords are thus constructed using the following notes, some of which may be omitted: • root • 3 • b5 and/or #5 • b7 • b9 and/or #9 The chord may thus include both a flatted and sharped form of the altered fifth or ninth, e.g. G7b5#5b9; however, it is more common to use only one such alteration per tone, e.g. G7b5b9, G7b5#9, G7#5b9, or G7#5#9. The choice of inversion, or the omission of certain tones...
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